“How are you?” she added, holding out her hand. “You’ve grown quite good-looking. I like your moustache.” And he flushed again with pleasure. “She wouldn’t mind if she did,” explained Joan. “And you know what she’s like! How can one think what one’s saying with that silly, goggle-eyed face in front of one always.”!

She placed the ring on her finger and held out her hand. “I might have been measured for it,” she said. “I wonder how he knew.” The silver clock upon her desk struck six. It had been a gift from her father when she was at Girton. It never obtruded. Its voice was a faint musical chime that she need not hear unless she cared to listen. She turned and looked at it. It seemed to be a little face looking back at her out of its two round, blinkless eyes. For the first time during all the years that it had watched beside her, she heard its quick, impatient tick.

“She’s been kind enough to you,” replied Madge, somewhat irrelevantly. There was a note of irritation in her tone. “I suppose you know you are supremely beautiful. You seem so indifferent to it, I wonder sometimes if you do.” She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man. “I couldn’t face it,” he went on; “the way people would be looking at me in trains and omnibuses; the things people would say of me, the things I should imagine they were saying; what my valet would be thinking of me. Oh, I’m ashamed enough of myself. It’s the artistic temperament, I suppose. We must always be admired, praised. We’re not the stuff that martyrs are made of. We must for ever be kow-towing to the cackling geese around us. We’re so terrified lest they should hiss us.”